The 20s EN
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THE 20 s
ONLINE EXHIBITION
October 22 – November 26, 2020
For further information and prices please contact the gallery
THE 20 s
Who is not familiar with the term the “Roaring Twenties” of the last century? And who does not secretly catch themselves seeking parallels to the present time. As today, the world was in a state of upheaval then - unstable world politics, widespread uncertainty and the threat of economic crisis.
Now we are once again at the beginning of such a decade and if someone had then predicted the course of 2020 with the turn of the year - we would have shaken our heads in disbelief.
A hundred years ago the period of hardship after the First World War was followed by several years of excessive lust for life. Berlin was one of the most exciting metropolises where cultural life pulsated.
A myriad of possibilities and affordable luxury stood opposite rampant poverty, a strong housing shortage and dissatisfaction. The young democracy still stood on very shaky legs.
It remains to be seen what impact the experiences of 2020 will have on the mindset of people today. It can be assumed, however, that after the pandemic is over, the meeting in cafés, clubs or at concerts - the socializing, the smelling, touching, looking and being inspired will be enjoyed to the fullest again.
BALANCEAKT
Drypoint. 1922.
Karsch 35 II
Signed, dated, numbered and titled. On firm wove paper.
Plate 4 from the portfolio “Radierwerk IV, Zirkus”, self-published by the artist, 1922, in an edition
of 50.
298 x 198 mm (497 x 430 mm)
DER NEGER
Drypoint. 1921.
Hofmaier 196 I (of II C)
Signed, dated and inscribed. Verso stamp of Graphisches Kabinett, Munich. With additions in pen and ink and pencil and with traces of the work process. Brilliant proof impression on firm sturdy paper.
293 x 259 mm (500 x 325 mm)
STRASSENSZENE
Mixed media and collage. 1922.
Signed and dated.
On firm paper.
230/235 x 160 mm
BÜRGERLICHE WELT
Reed pen and pen and ink drawing. 1919/1920.
On CANSON-FRANCE-INGRES, partly sprayed.
The work is confirmed by Ralph Jentsch, Berlin and will be included in the forthcoming catalogue raisonné of works on paper by George Grosz.
580 x 480 mm (645 x 500 mm)
TANZENDE
Reed pen, pen and ink drawing. 1926.
With the estate stamp on the verso.
On drawing paper.
481 x 325 mm
PIERROT UND MASKE
Lithograph. 1920.
Hofmaier 173 II B a (of b)
Signed and verso with the stamp of “Graphisches Kabinett”, Munich.
On laid paper.
310 x 202 mm (508 x 308 mm)
VERSAMMLUNGSREDNER (DER ARBEITER SPRICHT)
Color woodcut. 1920.
Söhn 230
Signed, dated, inscribed and titled. On laid paper.
According to Söhn only about ten impressions of the planned edition of 20 were printed, all in different color combinations.
544 x 343 mm (578 x 447 mm)
BEGEHRLICHKEITEN
Oil on wood. 1920s.
With the artist’s monogram on the verso.
549 x 402 mm
GELIEBTE FRAU
Steel engraving. 1921.
Söhn 252 b
Signed, dated, inscribed, numbered and titled.
On firm sturdy paper. From the portfolio “6 Stahlstiche”, published by Galerie Arnold, Dresden 1921.
242 x 202 mm (518 x 475 mm)
BESUCH DER MADAME GERMAINE IN MÉRICOURT
Etching, drypoint and aquatint. 1924.
Signed, numbered and inscribed. On sturdy paper.
Plate 36 from the portfolio “Radierwerk VI, Der Krieg”, printed by Otto Felsing and published by Karl Nierendorf, Berlin 1924, in an edition of 70.
254 x 190 mm (475 x 352 mm)
ZIGEUNERFAMILIE AM PLANWAGEN
Color lithograph. 1926-27.
Karsch 167 III
With the estate stamp on the verso. Plate 8 from the portfolio “Zigeuner”, published by Galerie Neumann-Nierendorf 1927.
697 x 505 mm (700 x 505 mm)
VARIETÉ
Drypoint. 1924.
Hofmaier 304 A (of B d)
Signed and inscribed. Rare proof impression on heavy wove paper.
403 x 204 mm (540 x 374 mm)
STEINIGER WEG
Lithograph. 1922.
Signed and numbered. On “JWZANDERS”-laid paper.
520 x 420 mm (920 x 620 mm)
STRASSENSZENE MIT PASSANTEN
Drypoint. 1920.
Not in Schmidt
Signed, on firm wove paper.
264 x 302 mm (453 x 521 mm)