Schüffler, Svenja EN
Svenja Schüffler (*1972 Kassel)
Enabled by tools that are surgical in nature, Svenja Schüffler creates exquisite networks of linear patterns on paper. These delicate structures serve as foundations for subsequent drawing in pastel chalks, simultaneously subtle and precise. Ms. Schüffler further enhances her imagery through confident use of a diverse mix of techniques, such as gilding, frottage, airbrush and assemblage. The resulting effect of these layered drawings is a stunning richness of detail, coupled with the illusion—and at times, the reality—of sculptural dimension. The sensitive viewer is thereby offered a wealth of visual stimuli to feast upon, along with the opportunity to question the certainties of their perceptions.
Schüffler’s technical sophistication provides her with matrices for examinations of uncertainties, explored in series, as well as in complex projects, notably, her “Institute for Uncertain Knowledge,” founded in 2016. Consistently informed by her geo-scientific background, her inquiries center on the vagaries inherently found in the current state of scientific “fact.” She navigates the border spaces between science and art, and works to correlate the intricate relationships joining, yet separating, earth, man and animal. Taking form in concept and essay, Schüffler’s subject matter deals with complex themes, such as earthquake risk—as seen in her drawing series, “Schrödinger’s Bird”—and the accuracy, or inaccuracy, frequently found in scientific experimentation.
The brilliant drawings of cockatoos in Schüffler’s project, “An Experiment on a Bird,” whose title and motif refers to Joseph Wright of Derby’s famous painting from 1767-68, showing Robert Boyle’s vacuum-pump experiment on a bird, exemplify her masterful technical abilities in full amplification of her concepts.
“How to Manage the Apocalypse?” is her latest project, in which drawings of birds are again the prominent subject. The image of a dark, shimmering cockatoo, from the “Pitch Bird” series, serves as a symbol for the veiling of consequences resulting from increasingly complex technologies. Perched throne-like on a gold-plated pipeline module, he confronts us majestically and challengingly.
